The News and Events pages, and indeed, the whole school website is managed by the school’s Marketing team.


The Marketing team work hard to capture life at Norwich School and share with our existing families, those considering a Norwich School education and the wider community what daily life is like for pupils (and staff!).


We do this in a number of ways including the website, social media, digital newsletters and a variety of publications including the Norvicensian magazines, At Close Quarters and Termly Reviews. We also take photos and video of school life and these are free for our families and ON community to download and keep.


The Marketing Team


Latest News From the Senior and Lower Schools

Lower School News

By Eleanor Lewis September 17, 2026
The new Michaelmas Term got off to a fantastic musical start with our first Informal Concert, featuring a wonderful selection of performances from pupils in Upper 3. The concert showcased an impressive range of instruments and musical styles, with performances on piano, cello, guitar and French hunting horn, alongside some confident vocal performances. The programme took the audience on a real musical journey — from the instantly recognisable fun of Wallace and Gromit and The Muppets Theme, to the beautiful The Swan by Saint-Saëns and the atmospheric Sunrise by William Carroll. There was plenty of variety too, with a traditional take on Old McDonald , the lively Sparkling Splashes and Smooth Water , Burgmüller’s charming Petite Réunion and the much-loved Cavatina . The vocal performances brought their own energy and character, including songs by Stephen Sondheim and Bruno Mars. It was particularly lovely to see pupils sharing their music so confidently at the very beginning of a new school year. Informal Concerts provide a relaxed and supportive opportunity for young musicians to perform to an audience, build confidence and celebrate the progress they are making with their instruments and voices. Director of Music for the Lower School Mr Vine said 'a huge well done to everyone who performed. What a brilliant way to begin another term of music-making!' The next Informal Concert will be on Thursday 24 September featuring pupils from Lower 3.
By Eleanor Lewis July 14, 2026
Norwich Lower School is proud to announce that the Little Roots allotment has been named a winner in the Bees’ Needs Champions Awards 2026, a national recognition scheme led by DEFRA (the Department for Environment, Food and Rural Affairs). The Little Roots allotment has received one of the 2026 Bees’ Needs Champion Awards in recognition of its commitment to supporting pollinators and enhancing biodiversity through practical environmental action. The prestigious award celebrates organisations that are making a positive difference for bees and other pollinating insects by creating and protecting habitats, raising awareness, and encouraging community involvement. Recognised in the Communities category, Little Roots was commended for its efforts to create pollinator-friendly spaces and enrich local habitats. Through initiatives such as wildflower planting, habitat creation and the addition of a pond, the Little Roots allotment is helping to create an environment that not only enriching for people, but for wildlife too. The Bees’ Needs Champion Awards celebrate the work of organisations across the country that are taking action to support pollinators. Protecting pollinators is essential for maintaining a healthy environment, supporting biodiversity and ensuring thriving green spaces for future generations. Commenting on the award, Mr Worton and Mrs Morgan said: “Protecting our pollinators is essential for a healthy environment and thriving communities. Through our biodiversity initiatives, we are helping to safeguard important habitats while creating greener, more vibrant spaces that pupils and wildlife can enjoy. We are delighted to receive this national recognition for our efforts.” The awards were presented on 14th July, at RHS Wisley, to tie in with Bees’ Needs week. Mr and Mrs Boothby were presented with the award by Mary Creagh MP, the Defra Minister for Nature. The Norwich Lower School gardeners have also recently been recognised in two separate gardening competitions at the recent Royal Norfolk Show. Lower One and Upper One were thrilled to be awarded a gold medal for outstanding exhibit in the School Gardening competition; their entry featured a beautifully designed wheelbarrow display inspired by Beatrix Potter’s Mr McGregor’s garden, created in celebration of 160 years since Beatrix Potter’s birth. In the School Growing competition over forty pupils eagerly took part, nurturing their basil, calendula and radish plants at home with care and commitment in the weeks leading up to the Show. The best examples from each category were then selected and taken to the Showground, where they were judged against entries from other schools. Norwich School pupils were delighted to win all three categories which they entered.  Mrs Morgan said: “We are incredibly proud of our pupils for their creativity, perseverance and teamwork and we are delighted to celebrate winning four gold medals at this year’s Royal Norfolk Show! Outdoor learning and gardening skills are interwoven throughout the Lower School curriculum, and our successes at both the Bees’ Needs Champions awards and the Norfolk Show are a testament to this.”
By Eleanor Lewis July 7, 2026
After qualifying for the National Finals at the East Area Prep School Athletics Championships, held at Bedford International Stadium, Thomas secured 1st place in the U12 Discus with an impressive throw of 25m. As a result, Thomas then went on to represent the school at the National Finals, hosted at the iconic Alexander Stadium in Birmingham. After his first three throws, he was sitting in 2nd place. Under the competition rules, only the top eight athletes after three rounds earned a fourth and final throw. Saving his very best until last, Thomas produced a sensational final throw of 28m to claim the gold medal and become the U12 National Discus Champion!  Having only taken up the discus in April, this is an outstanding achievement and a testament to the dedication, hard work and commitment Thomas has shown in such a short space of time. Congratulations , Thomas – a fantastic accomplishment and one to be incredibly proud of!
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Senior School News

By Eleanor Lewis September 23, 2026
2026 is National Year of Reading and we are going all in here at Norwich School! We know reading expands worlds, sharpens minds, and fuels creativity, so let's get inspired! Every month we are focusing on a different genre and hearing from a member of staff about what they like to read, why, when and where! For the start of a new school year, we’re talking to Mrs Hewitt about her favourite genre. Let's find out more about why Mrs Hewitt loves the great American novel... . Tell us a little bit about the genre; what common themes or elements do you particularly enjoy? I’m not completely sure this is an accepted genre, but I have always been drawn to American novels from the 20th century. Characters in these novels live harder lives than me. Life is not generally kind to them and they are not always kind to others nor make the ‘right’ choices. You can explore human frailty and resilience in the face of poverty, social disapproval or upbringing without ever leaving your cosy armchair. What was the book that introduced you to American novels? Was there a particular book or author that made you fall in love with this genre? Children’s books were nowhere near as varied and diverse when I was young. I grew up reading Noel Streatfield, Enid Blyton and Louisa May Alcott and other books written when my grandparents were young and if they weren’t written ‘in the olden days’, they were set ‘in the olden days’. Studying A-level English, French and German literature meant that I had many weighty tomes to plough through in my late teens, so discovering The Outsiders by S.E. Hinton and The Catcher in the Rye by J.D. Salinger in the school library opened my eyes to the idea that a book’s hero could be my age with a teen’s outlook. They put me in the shoes of people who were far bolder, more unconventional and exciting than me. Has your taste in this genre changed over time? Yes. I am less inclined to accept misogyny in books now. You could argue that Charles Bukowski intentionally set out to make his nihilistic alter ego Henry Chinaski to be unpleasant and repellent, but if I were to reread, I would rather choose The Best of Everything by Rona Jaffe, which is a great insight into life for young women in the early 50s dealing with such attitudes. Would you recommend this genre to someone who doesn’t usually read it? Why? I’m happy to tell people about books I’ve enjoyed, but rarely recommend any, as enjoyment of a book is so personal. I’ve recommended some of these to my son, but he won’t be told and flat-out refusal is just annoying. So, all I can say is that millions of people have loved them, but you may not. What do you enjoy most about reading, whether an American novel or anything else? I read to experience lives I will never live and to get to know people I will never meet. When and where is your favourite time and place to read? On public transport, as there are no other tasks or distractions to take me away from my book. I can fully disconnect from what is around me. A three-hour train journey? Divine. Yes please. Tell us a little bit about the genre; what common themes or elements do you particularly enjoy? I like the fact that I never know if the ending will be happy. The genre is typically described as ‘gritty’. These books focus on people who are on the edges of society, whether by choice or by circumstance, in a time of powerful, narrow-minded social judgement. I saw New York through the eyes of James Baldwin’s gay, black jazz musician Rufus in Another Country ; I enjoyed pool-hall hustles in Hard Rain Falling by Don Carpenter, a 24-hour dance competition in They Shoot Horse Don’t They? (Horace McCoy) and came face-to-face with the grim reality of war for young soldiers in Norman Mailer’s debut novel The Naked and the Dead. If you could step into the world of any book, which would it be and why? Well, I certainly wouldn’t step into In Cold Blood by Truman Capote and I’m not sure if I would survive On The Road in the way that Kerouac did, although I’d certainly enjoy travelling across America. Perhaps I would do this with Joan Didion instead in The White Album , or with John Steinbeck and his dog in his caravan while he wrote Travels with Charley and I could tell him how much I love East of Eden . Click here to see the monthly reading list!
By Eleanor Lewis September 22, 2026
The final of RELEASE 2026 , Guildhall Young Artists’ (GYA) composition competition, was held on Saturday 12 September at Guildhall School’s Milton Court Concert Hall. The event was hosted by Jeffery Wilson, founder and Creative Director of RELEASE, and actor and Guildhall alumna, Sophia Roberts, and featured premiere performances of twelve new compositions. The finalists were chosen by an adjudicating panel consisting of saxophonist and owner of Saxtet Publications, Tom Bruton, Deputy Head of Electronic and Produced Music and Lead Professor of Film Music at Guildhall School Barbara De Biasi, composer, orchestrator, and arranger Matthew Sheeran, and Sub-director of Studies and Teaching Associate at St John's College, Tim Watts. Upper 5 pupil, Isaac S, won the ‘Release the Song’ category with his setting of two Shakespeare songs. Hear them here on YouTube. He will receive mentoring from ‘Audio Network’ professionals and attend an orchestral session at Abbey Road as well as a live masterclass with Paul Ressel and a cash prize. Isaac was also awarded second place with his string quartet Burnt Norton. Isaac commented: "The joy of the whole thing is that it's such an eclectic competition, there's been a really wonderful breath of entries and it offers opportunities to young composers in all genres, forms and all media. There are so many opportunities across a whole breath of disciplines out there and it represents many of them. It's wonderful to have more recognition wanting to go into composition professionally later in life."
September 22, 2026
The start of the Academic Year is a very busy time as we return to school life following the summer break. One of the highlights of the start of term is the Clubs and Societies Fair. It is an event full of enthusiasm, hub bub and excitement. This year was no exception as we held the Fair on Tuesday 8 September in our Upper King Street building. The Fair is an opportunity for pupils, new and returning, to go around stalls representing our various Clubs and Societies and find out more about their aims and activities. Over six locations 30 clubs and societies created table top displays showcasing their club or society. It is always pleasing to see pupils leading the stands and talking to other pupils about the activity that they enjoy and are representing. There is no better advocate for that particular activity. Our Games Department were on hand to talk about the vast array of activities that pupils can join. The Music Department had a rolling backdrop of images from concerts and recitals. It was wonderful to hear during the course of the Fair one of our Fourth Form pupils who took to the piano for an impromptu gifted performance. Two of our activities, KS3 Textile Club and Community Knitting Club covered a table in the items that they have made, all colourful and many of the pieces had been designed by pupils. Ms Scott, along with some of our Sixth Form pupils, showcased our EDI societies. Warhammer and The Fellowship: Dungeons and Dragons had a display of their games. Our Cubing Club was represented, and it was wonderous to watch a group of pupils completing their cubes which such dexterity and enthusiasm. In the Café, our DJ Club provided the musical accompaniment keeping us all entertained. This year it was wonderful to welcome back Writers’ Bloc. This has proved a very popular activity and we look forward to reading the creative works from the group, there maybe a budding Dame Julia Donaldson within our midst. Following the Clubs and Societies Fair, pupils are invited to formally register for the activities via SOCS. We have 120 Co-Curricular activities taking place before school, during break and lunchtimes and also after school. With healthy membership at the majority of the activities with some over subscribed. Our Clubs and Societies are now up and running. Our SOCS platform holds all the up to date information regarding the Co-Curricular Clubs and Societies. Those pupils who have registered for lunchtime clubs often need early lunchcards. This year during the various early lunchtime collection sessions, queues of pupils collected early lunchcards. For some pupils, part of the fun is collecting a card for each day of the week. We hope all pupils enjoy joining in these activities which provide opportunities to develop new interests, skills and form new friendships.
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Blog

By Eleanor Lewis September 23, 2026
Deep in the summer holiday, my dishwasher broke down. It started beeping maniacally, relentlessly and making a deep, unhealthy gurgling sound. We are dependent on technology in so many aspects of our lives, it is frustrating when that dependency is abruptly cut off. An August of suds and rubber gloves was an unwelcome prospect.  I have little skill to fix mechanical things. Very little. Faced with this problem, I thought I’d turn to someone - or some thing - in my household that might help: my own intelligence fell short so I thought I’d see if Artificial Intelligence could assist me in my predicament. Could one machine fix the other? I fed the symptoms of my dishwasher’s distress into the Large Language Model, Google Gemini. ‘What should I do?’ I asked it, pathetically. It quickly diagnosed the problem: water was trapped in an inaccessible part of the machine. Now, I do own an assortment of under-used screwdrivers; with a flash of inspiration, I suggested that I could unscrew some prominent screws at the bottom of the dishwasher. ‘No!’. Gemini advised me. Sensibly, it told me to not do that under any circumstances or I would break the thing forever. Screwdriver hanging limply in my hand, my exchange with Gemini continued… You will know Artificial Intelligence is the subject of much debate. Some claim, optimistically, that it will revolutionise human life for the better, solving difficult problems and removing drudgery. On the other hand, some claim unrestrained AI development could lead to the extinction of humanity. That would, at least, solve the dishwashing problem. For those of us in schools, the emergence of generative AI poses a challenge to the purpose of education; it can now do many of the tasks that have, until now, been the preserve of humans. Put simply: AI can – efficiently – find any information, read and summarise a text, write fluent and polished prose, offer instantaneous translation, complete every part of a mathematical or scientific problem, and generate music or art in any genre. Is it, therefore, still important to learn to do these things for ourselves. Before Easter, I asked senior year groups for their views on AI. I am grateful to the 400 in U5 and above who responded with eloquence, supported by their experiences. Whilst many noted positives - that AI can bring efficiencies – it was notable that the majority expressed concern, frustration or even anger about the impact that AI may continue to have. Some cited environmental concerns, or problems of biased, deepfake or hallucinated information. Many noted that AI can compromise academic integrity and enable cheating. A majority expressed concern that dependence on AI may result in people losing the ability to think critically or independently. This view is increasingly supported by hard evidence. A study by MIT in the USA last year indicated that dependence on AI for essay writing resulted in students having a much shallower understanding of the subject, weakening their critical thinking and formation of long-term memory. A recent Chinese study of 27,000 students found the exam performance of those who used AI for their regular work was worse than those who did not. Many of you said you are confused about what is permitted and that the school has not given sufficient guidance. That’s a fair point. The answer is not simple, but I can set out some broad principles. Firstly, in the age of AI, the cultivation of your intelligence and creativity remains an intrinsic good. Intellectual and creative effort has value. Even if AI can do a task, we should be interested in developing our own learning for its own sake; to encounter astonishing new things that change us as human beings. To let you into a secret: when I set a history essay to a class, it isn’t because I actually need 25 copies of that essay. It is because the process of producing the essay develops your learning. Efficiency in production is not the goal of education. Learning requires your brain to work hard and you can’t bypass that difficulty or offload it onto someone or something else. It would be analogous to repeatedly driving a car for 26 miles in the expectation that you will be fit and prepared to run a marathon. Secondly, if AI is used, it should be to support learning, not undermine it. There are AI tools that can be powerful in helping to develop thinking and your teachers may introduce these to you. But their use should not circumvent intellectual effort that is a necessary part of learning. Thirdly, we recognise the growing importance of AI literacy; as the technology becomes embedded into our lives, it is essential that we understand its capabilities and limitations, as well as ethical questions that are raised in a world where AI may become ubiquitous. Mr Fisher has done pioneering work on this with his Fifth Form Elective course and I look forward to working with Lawrence Doe on his red gown project to develop how we do this further. Finally, AI must not diminish our humanity or our relationships in this community. The ‘real’ matters and it was clear in your feedback that many of you are repelled by AI-generated material that is synthetic or impersonal. In particular, you felt strongly that if you put time, effort and love into something, that you want it recognised and considered by a teacher, not assessed by a machine. As with all technology, AI should remain a tool in service to our needs. Dependency on technology for intellectual tasks – tasks much greater or more complex than washing dishes - runs the risk that we become incapable. So, what was the resolution of my dialogue with Google Gemini? It concluded – firmly - that I should step away from the dishwasher, lay down my screwdriver, and call out a mechanic; a real person with the knowledge and skills – the human intelligence - required. When he arrived, he sorted the problem within 15 minutes. I could return – sheepishly - to my dependency on the machine.
By Eleanor Lewis September 11, 2026
I was glad when they said to me, ‘Let us go to the house of the Lord!’ (Psalm 122:1) We’ve been in the cathedral a fair bit since term started. I want to start with a question for you to think about, whether you’re new here or whether you’ve been around for a while: How many different ways into the cathedral do you think there are? When you came in this morning, you had a choice of two doorways – the two west corners at the back. On the first day of term, for a bit of pomp and ceremony, we opened the main west doors to allow a procession in and out. There are other ways in through the gift shop; or through the north or south transepts. All the way up at the east end there’s a door that leads from Edith Cavell’s grave outside to the inside of the military chapel. There used to be a suspended walkway from upstairs in the Bishop’s Palace across to the first floor level in here to save the bishop getting rained on. I’m actually not sure myself how many ways into Norwich Cathedral there are now. If you know the answer – or if at some point you have a spare ten minutes to walk round the building counting the doorways – perhaps you could let me know. Many years ago, before I lived and worked in Norwich, before I was even a priest, I visited Norwich Cathedral with a group of year 6 children from South London. They were in Norfolk on their week-long school journey to experience something different to their usual. I don’t remember which door we came in that day. But I do remember that I was a bit concerned about one of the pupils in the group. His name was Daniel. He was the naughty one. I was worried he was going to find the cathedral boring and start messing around. As it turned out, I was completely wrong. We started our tour in the cloisters – the outdoors space on the south side surrounded by walkways and pillars. Our guide was a retired teacher who guessed that, before we saw the stained glass windows or the bishop’s cathedra, we might like to see a game played by the monks who originally lived here. It was a very simple game – the monks would stand on the ledges in the cloisters and swing round the pillars like apes. (We know that they did this because their feet wore grooves into the stone that you can still see today.) Our guide had already spotted Daniel, and he asked him to demonstrate swinging round the pillars. Sure enough, Daniel’s feet naturally fitted into the grooves as he moved. From that moment, he was fascinated. I think partly because he simply wasn’t expecting there to be fun in the cathedral. But with the help of the guide, Daniel found his own way into this place. Later we were shown some hidden medieval graffiti. Right in the middle of it we happened to find Daniel’s initials, carved by someone centuries ago. It was wonderful to watch Daniel feeling like he belonged here. However many literal doorways there are, I hope you can all find your own figurative way into this cathedral. If you have some kind of a maths brain, the physics and the proportions around us are extraordinary. A while ago Dr Leeder gave an assembly on how many Smarties you can fit in this space. Let the numbers inspire you. If you’re someone who likes Art and Design, there’s no shortage of craftmanship in here that you can get up close to. It’s not all in the past; even today you might see a modern stonemason winching a block of stone up the scaffolding outside to repair centuries of rain and wind erosion. Be inspired by the necessary work of people who are really good at 3D Design. If you’ve just started a course in Psychology, ask yourself why human beings are motivated to begin buildings like this in the first place. The first ever Bishop of Norwich, buried at the east end, was consumed by shame and guilt; he began the construction of this cathedral as a penance. Just about everything we teach is represented: languages, like Latin and a little Anglo-Norman; or poetry, written on the walls; or music, of course; or history, in bucketloads. It’s all here, waiting for you to spot something that catches your interest, and which will take you further in. What is generally true in education is true here: there are many ways in. Just choose your doorway. I want to close by reading part of an email that I got from an ON recently. This is someone who has been away from Norwich School for two decades and now lives in Australia; these are his recollections. Looking back, it is quite remarkable that a load of teenagers meet in the cathedral in the morning… I barely noticed how unusual this was at the time, but the very act of starting the day within an enormous, time-tested cathedral and singing together has by itself a very unifying and edifying effect. When catching up with my peers occasionally, one repeated theme that emerges is how we miss the sense of the transcendent that pervaded school life in the cathedral close. It's so easy to become busied up with urban life and work… longing for meaning and fullness and forgetting where it comes from. You may know that on this date 25 years ago – the 11th September 2001, or 9/11 – there was an attack on the World Trade Center in New York and the Pentagon in Washington which sent shock waves around the globe. We keep this anniversary in mind as we come to our prayer for this morning, which is the Benedictine Prayer for Peace. Benedictine prayer for peace We would like to be people of peace; to walk the paths of peace our whole life long, and to lead others into the ways of peace. May there be peace in our hearts, peace in our homes, peace in our sorely troubled world. May we be peace-makers, ready to take the first step in ending bitterness, being the first to hold out our hands in friendship and forgiveness. May peace, grace and love permeate our daily living. In the fullness of time, may we know the reward of being peacemakers.
By Eleanor Lewis September 9, 2026
I'm wearing my Make America Great Again hats today and you will be forming an opinion of what that represents. Costume is very powerful, and a MAGA hat is almost like a flag. I don't know, I must try to be balanced, and there might be Donald Trump fans in your family. In social situations, I signal my hostility to MAGA with a frown. Can I recommend that to you? When you are part of a conversation that you know is unkind, don't be a bystander. Very often a frown is a powerful and effective response that sends a very clear signal without provoking a bigger argument. It’s called frown power. Maybe we should put the ‘Great’ back into Britain. That’s a gentle joke on the people who say that sort of thing, since it indicates that they don't know what Great Britain means. Excuse me a moment while I explain. There is a large group of about 150 inhabited islands off the coast of northwestern Europe. Collectively they are called the British Isles. There are two big ones: the one on the left(west) is called Ireland. The one on the right is called Great Britain, because it is the biggest of the British Isles. This morning you are resident in a country called the United Kingdom of Great Britain and Northern Ireland. Great Britain isn't going to stop being Great anytime soon. My assembly today aims to encourage you to imagine an even better Britain: not by looking back into an imagined past, but to inspire you to work towards a future version that's even better than the present, or the past. Today I have a dreadful story to tell you about a disaster in Wales that took place almost exactly 60 years ago. Just because quite a lot of things are bad now, it doesn’t mean that everything is getting worse, or that things used to better. Things that are normal today: health and safety, counselling, accountability, litigation, compensation – were almost completely absent 60 years ago. I’m 56, so while 60 years ago sounds like ancient history if you are 12, it isn’t all that long ago in reality. On that dreadful day in October 1966, it had been raining hard for weeks. The 240 pupils of the Aberfan Junior School wound their way through the back lanes of miners’ terrace houses on their way to morning assembly. You probably know that coal mining built industrial Britain. But by 1966, the coal industry had been in long decline and several pits had shut. The mining workforce had fallen from its peak, but pit jobs kept Aberfan going. The National Coal Board had control of UK mining and wielded great power. It had a firm grip on government, and it was held in what now seems uncomfortable reverence. The working man knew his place; authority knew best. Numerous complaints had been made to the Coal Board about the dangers of one of the seven gigantic spoil tips that loomed high above the village. Every mining community had its tips of waste material dug from the mines. The entire south Wales valleys landscape was jagged with them. The one above Aberfan had slipped three years previously when an ominous crater appeared at the top. A bulge had formed at the foot of the tip as a stream that was unable to drain away liquefied the tip into thick, black quicksand. The Coal Board brushed the complaints aside. Everyone knew that if they made a fuss, the mine would be closed. If the disaster had come 20 minutes earlier, the junior school below the tip would have been empty. In the classrooms lights began to flicker and sway before there was an ominous roar. A glistening black avalanche consumed everything in its path and then ruptured a water main, engorging it further and increasing the speed of its descent towards the school. A survivor said later, “one minute we were young innocent children of eight years of age … and then at twenty past nine we were totally different people and would never be the same again.” I have decided to leave most of the witness testimony out of this assembly. One of the first police officers on the scene recalls being rigid with shock. "A huge bank of water was coming directly towards us," she said. "It was like a tsunami, it was terrifying”. The crisis whistle sounded in the colliery and miners, their headlamps still lit, ran to the school where women were clawing at the slurry trying in vain to reach the children. News reports described the site resembling an earthquake or the aftermath of a high explosive bomb. I can’t tell you what the parents went through, but one rescuer recalled: “It goes to show how primitive it all seems; I wrote up a notice and pinned it to the chapel door informing parents that death certificates will be issued at the local fish and chip shop”. The waiting took 15 days to identify 144 bodies. The handful of surviving children did not really have a formal education for many years. Time and again, testimonies from the past describe the same thing – no one talked about what happened. This was an age of a stiff upper lip, embodied by the tough, macho miners themselves. Psychological help was stigmatised and viewed with suspicion. A local GP described the village as consumed with guilt, psychological problems, alcoholism and nervous breakdowns. All of that went untreated. What followed was a saga of cruelty and indignity. Donations to the Aberfan Disaster Fund poured in from all over the world but the money was taken away and the bereaved were initially refused help to pay for their children’s gravestones. The Coal Board initially offered £50 of compensation for each dead child before raising it to the "generous offer" of £500. A more substantial sum, it was advised, would have destroyed the working-class recipients not used to large amounts of money. The NCB chairman insisted to reporters that it was “impossible to know that there was a spring in the heart of this tip” although everyone else seemed to know and Ordnance Survey maps proved it. The tribunal that followed concluded the disaster was “a terrifying tale of bungling ineptitude by many men charged with tasks for which they were totally unfitted, of failure to heed clear warnings, and of a total lack of direction from above”. No one lost their jobs, was demoted or fined. This is obviously a horrible story. I’m telling you because you need to know, and it’s an antidote to thinking that Britain was such a brilliant place in the past. I could have chosen any number of examples. The 70s, 80s and 90s featured behaviour and events that I can scarcely believe are true from today’s perspective. And of course, the main reason I’m telling you is because you represent the Britain of the future. We won’t move forwards by nostalgic memories of some phoney past. As future leaders and people who will serve our communities, it’s your job to present an attractive vision of a better society that we can all work towards. Our speaker at prizegiving, Chanel Contos, was an inspiring example of a youthful changemaker. And the obvious first step is for you to be the change you want to see in the world.
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Meet the Team

Click on the images to read individual biographies.