A beautifully presented and thoroughly enjoyable performance from Timothy M, harp and Jessica L, piano. The performers showed great talent, confidence, and dedication, and it was clear how much hard work had gone into preparing for the recital. The programme was varied and engaging, with each performer bringing something special. A huge congratulations to all involved for putting together such a memorable recital. It was a joy to watch, and everyone should be incredibly proud of what they achieved. Timothy says - This week I was given the opportunity to play my harp as part of a Making Musicians recital. It was great to be able to play in the school chapel and have a lovely audience to share music with. There was even a butterfly that came to join us, fluttering around during my performance, which made it very atmospheric! Jessica says - It was a wonderful experience to perform in the chapel. I am very grateful for this opportunity and all the support from everyone who came to listen!

The ‘Making Musicians’ Music Scholars’ Programme at Norwich School is well established and a jewel in the school’s crown. Occasionally, external professionals are enticed to join us to give a breathtaking masterclass to provide real inspiration to young scholars. On 05 June 2026, we had just such a concert given by Hannah Watson Emmrich, local musician and amazingly talented pianist. She guided a very supportive audience through her new album Notes from the Undergrowth at a concert held in the glorious school Chapel. This album of piano music was being launched at the event. A very intelligently choreographed programme commenced with piano works evoking daybreak and idyllic woodland scenes, followed by an exploration of some of the flora and fauna lurking in the under-canopy, before moving into melancholic pieces reminiscent of sunset (such as nightingales) and finally the peace of nightfall (nocturnes, night moths etc). Alternating astonishing technical excellence and powerful storytelling, Hannah evoked the myriad sounds and sensations of woodland in her performance. Included in her repertoire were three newly commissioned pieces and the audience included Joshua Borin who had composed one of the works called Crex (conjuring up the creepy world of slime mould in music - yes, really!) Our Music Scholars were in attendance and learned much from Hannah’s keyboard mastery and from her achingly beautiful programme of music. We all wish the album a positive reception. See: Notes from the undergrowth | Hannah Watson Emmrich . Heartfelt thanks go to Hannah for such an accomplished performance and to our very appreciative audience who left the Chapel enthralled.