We recently spoke with Middle 5 pupil, Oscar Lawrence, about his journey in wildlife journalism and photography and the announcement of his own column in the Norfolk Magazine in 2026!

What is the best part about writing for Norfolk Wildlife Trust?

Tricky - there's so much to love about it. When I write my introductions, I use a couple of purely descriptive paragraphs designed to whisk the reader away into the midst of nature. When I proofread them, the experiences I've had with that species or place come flooding back, and I can remember every last detail of an encounter. And that's a great feeling.

Which is your favourite piece? Why?

My first ever commission from the Norfolk Wildlife Trust was fantastic. I was challenged with writing about a visit to Hickling Broad on World Swallowtail Day, and when I arrived I was so worried that I would get good photos, or my writing wouldn't be good enough. And by the end of that 3-hour walk, I felt so many thoughts buzzing round my head from the day that I couldn't wait to note down. I was already gripped, and it proved to me that journalism could be an incredibly rewarding passion as well as work.

How do you explore your passions for wildlife photography and journalism at Norwich School?

Writers' Bloc! Both a fantastic club and a fantastic play on words, I get the majority of my articles done in this relaxed, go-with-the-flow type space. I feel that in this environment I can switch off from everything else that's going on and invest wholly in my writing.

How has Norwich School helped you/Supported you on your journey?

I've told a good few teachers about my work as a writer, and their motivational and complimentary feedback has driven me to keep going. It has made me feel like what I'm doing can change people's attitudes, and help them see nature in a new and beautiful light.

How has your journalism and photography progressed over the years?

My writing has changed a whole lot! When I started this as a columnist, I felt I could just go with the flow and however much waffle is left in, it doesn't really matter as people will just skim through it. These days, I try to make every sentence, indeed every word, an immersive experience for my audience to keep them hooked the whole way through. When you write for more prominent news outlets, there's far more to consider about how you pitch your writing: do you go analytical and scientific, or creative and awe-inspiring? It's a difficult balance to strike.

There is only so much you can read up about photography. My philosophy with that art has always been "learn by doing", and it seems to have worked alright so far. It was a big leap to switch from Automatic to Manual mode, but I've learnt so much by making the change. From a general skill-building perspective, my reflexes have certainly improved, as I leap for the shutter when a rare bird shoots past.

What would you say to any budding journalists? Any tips?

There's a lot to be said about this, and everyone will have different views on what the best policy is. But I don't have a set structure and I don't feel the need to bolster every sentence with rhetorical devices. The bottom line is, if you can read a line back to yourself and feel wonder, then it's a line well written. With creative pieces, your prose should motivate an emotive response throughout, leaving the reader flushed with excitement, sympathy and everything in between.

You won't get to the level you want to be at without reading the experts' material. If you're lost, just skimming an RSPB article can give you tons of new ideas and vocabulary, even if it isn't about whatever topic you are covering.

Finally, be self-conscious. As I write this, I am worried that I'm using "I'm" and "you're" far too many times, and that my answers aren't set out in an engaging way. As you write more and more, you will teach yourself to overanalyse what is on the page, which whilst mentally exhausting at times, means you can self-check without any bias. Essentially, if a sentence gives you (and I hate this phrase) the "ick" even slightly, then don't use it. Because the audience will feel that way too.

Tell us about your column in Norfolk Magazine? (Which begins in January 2026)

An amazing opportunity to say the least. I honestly couldn't believe I'd been accepted to write for the mag, and I was even more pleased to see the gusto with which they did accept me. I will have a column writing about the best Norfolk days out in nature for the first 6 months of 2026, after which point I will probably still drop in the occasional article. Currently, I have sent off my first article about the stunning Burnham Overy Dunes, and am working on another for the February edition.

What's next for you?

It would be awesome to lead some more tours, which I will do at Cley Marshes for Norfolk Wildlife Trust. After a successful walk this summer featuring such avian delights as green sandpipers, spoonbills and snipe, I am reassured that any other tours will be just as jam-packed with wildlife. My next will be in February, when I shall probably lead a trek down Cley Bank in search of snow buntings and velvet scoters. In terms of writing, I aspire to work-experience with some of the "big league" newspapers in London, and hopefully work shadowing some tours by e.g. Naturetrek or Oriole Birding to start with.

What's the dream?

With all these new technologies, surveillance and whatever unemployment problems AI will cause, the future is as worrying a prospect for me as it is for many others. AI can do so much in the way of data organisation, so I sorely hope that 20 years from now, readers will still value the investment and human experiences I convey in my writing. I want to spend as much time in nature as I possibly can throughout my life, and if I can make wildlife into part of my job, my dreams will truly be fulfilled. Let us hope that my heartfelt and awe-inspired stories will still interest the audience of the future.