Anoushka Craggs (U6) Stars in Young Film Academy's 'Project Paradiso'

May 1, 2025

In the February half term, Anoushka Craggs (U6) starred in the Young Film Academy's 'Project Paradiso' which is due to be shown this summer. To celebrate this and to find out a little bit more about the experience, we asked her a few questions...


So can you tell me a little bit about how were chosen for the Project Paradiso? 

So to be chosen for the Project Paradiso cast/crew you had to show exceptional kindness to those around you, it was mostly based on a behavioural thing from the summer camp. They chose the people who they thought would work best with each other, I think that as an actor the film that I did from the film camp was a comedy which helped a lot as the film for Project Paradiso, Running Hot, is also a comedy. So I think it was a mixture of skill and just your attitude and how you work with others. 


How did you go about fundraising for Project Paradiso? 

Mainly it was through word of mouth, I just told lots of people about it, I did a funded marathon walk, it was a really busy time so it was amazing to have the support of so many really generous people but also other people fundraised with bake sales, screenings of other films that project Paradiso has produced. 


So did you get much support from YFA in terms of fundraising? 

From YFA they gave us plenty of ideas on how to fundraise but they were very clear that we had to do the fundraising ourselves otherwise the project wouldn’t happen. 


How much did you have to raise? 

The original goal was £78,000 which they rose to £82,000 in the end which we managed to raise! 


And where does that money go? 

It mostly goes to the equipment and the specialists that work with that equipment, they brought in 3 industry professionals that work on short form and long form pieces as well as commercials, so they handled all the various equipment. The camera was an Arri Alexa which is what Netflix uses for a lot of their films and shows. It is a really high quality camera and I learnt a lot about it. Going to Italy was of course a huge expense as well. 


And you had a week of intense filming? What was the day-to-day of that like? 

So we would wake up around, 6 then in hair and makeup most mornings in which I would definitely take the longest, being in there for around an hour and a half whereas other people would be much quicker, some as short as 10 minutes! At 10:30 we would be ready but then tech would take some time, we’d be on set from 11. On set we’d have a run through with the director, a rehearsal with the lighting and sound as well as the camera, checking you’re in focus. We would often shoot until 1 for lunch but the aim was always to shoot an entire section/scene before lunch but we quite often ran over. After lunch we’d run from 2-6 but the latest night we did was until 8! 


What was it like filming Iin another country as well? 

It was really cool! I’m not going to lie the weather was quite bad, it was raining most of the week. The scenery is right by Etna so when it was clear and sunny you could completely see her and she was actually erupting when were there which meant lots of volcanic ash which became a bit of a problem for the kit. It felt so surreal being on a film set and in another country at the same time, the lemon groves were also very picturesque. 


Did you decide on the location yourselves? 

No, Project Paradiso is built on YFA’s relationship with this particular farm and so the last 2 films also were filmed there. 


And did your team write the script? 

Yes there were also a group of writers that fundraised but they didn’t come to Italy with us. There were various zoom calls with them about the script and what it means which is really helpful. 


And how does this differ with other film experiences that you have had? 

So I have only really had a little film experience but this was so professional in comparison to what I had done before and the level of focus was just unlike anything else. It was very structured and organised although it was at times chaotic it still felt very structured. 


And how long is the film? 

Roughly it will be around 40 minutes. 


So that’s quite long for only a week of filming? 

Yeah it was 19 pages to do in a week and I think that scene was the least amount of shots we had to do was 3. Each scene varied between 3 and 12 different shots. 


And how many people were on the team in total? 

23 I believe. 


And how many were actors? 

Just 4 actually. 


Had you met anyone before? 

I knew a couple of people that worked on the film in the summer but other than that I didn’t know anyone else so I had to meet loads of new pupil even though we were all at the same camp. 


And what can you tell us about the film? 

I can say that it’s a romcom and that it has something to do with Etna! I can tell you that I had to have my hair crispy fried straight for the entire week so I won’t look like my regular curly self! Oh and there’s 2 couples, one being more obvious and the other kind of just creeping up. 


When is it going to be released? 

July/August time because it is a the longest film that they have ever done on this project and there’s only one person doing all the post-production work. 


And is it going to be sent off to film festivals? Is there a premiere? 

The premiere is around the same time as the Leavers Ball so I’m a little stressed about that! It will be held at BFI Southbank and there’s going to be people flying in from all over. They will also send it to tons of film festivals, the previous project has won 50 or so awards around the world which are quite big shoes to fill. 


What is the aim of Project Paradiso? 

It is kind of a Catch22 in the film industry that you need to have film experience to get on a film set but to have film experience you need to get on a film set. So the idea of Project Paradiso is to give people experience of being on a professional film set, to have that in your portfolio at such a young age. It is really invaluable, as an actor your reputation is built by your performances and if you don’t have anything to show for it, you just won’t get booked. 


What’s the end goal for you in terms of acting? 

End goal is acting in film and tv, I like theatre as well but I find Film and TV more interesting and it requires a different skillset which I really enjoy and also being able to do retakes when I mess up! That’s the end goal, to be an actor. 


How do other people get involved? 

So definitely going to the YFA summer camp, it’s an amazing experience for anyone that wants to get into anything related to film, its really helpful and the tutors really know their stuff and will be able to help you. There’s 2 courses, acting and screen-making, with screen-making being behind the camera and acting of course being in front. There are also various day courses form YFA as well as other film schools that can teach you skills such as how to use a camera. And if you take art, are an actor or just someone who is interested in film look up the opportunities or even just look at School because they will also provide opportunities and workshops. 


By Eleanor Lewis December 12, 2025
The Lower School carol service at Norwich Cathedral was a truly magical occasion, set against a dusky backdrop that heightened the sense of joy and wonder. The cathedral’s soaring arches and glowing stained glass offered the perfect setting for a celebration filled with Christmas spirit and joy. The service opened with a solo of Once in Royal David’s City by U3 pupil Zoe Asamoah, whose clear and expressive voice resonated beautifully through the vast space, setting a moving tone for the afternoon. The Lower 2 tableau was equally enchanting, their poise and reverence bringing the Christmas story vividly to life.  What followed was a series of performances that were both heartfelt and uplifting. The Little Voices Choir, Infant Choir, Chamber Choir, and School Choir each sang with warmth and precision, contributing their own distinctive character to the service. A highlight for many was the whole school’s rendition of Away in a Manger, with singers positioned throughout the cathedral, even along the side aisles, the piece created a shimmering, almost ethereal atmosphere that seemed to wrap the entire congregation in peace. As the service came to a close, selected members of U3 performed a hauntingly beautiful version of The Candle Song. With the cathedral lights dimmed and a single candle glowing softly, their perfectly blended voices created a moment of profound stillness and reflection. The afternoon was a testament to the talent, dedication, and sincerity of everyone involved, leaving all who attended with a deep sense of joy and quiet contemplation.
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The Lower 4 Christmas Jumper Competition is always an event of great anticipation, and this year was no exception. Adorned with baubles, tinsel and whatever else Fourth Form could find (including Mariah Carey), the tutors made their way to the Blake for a catwalk never to be forgotten. However, this year had a twist with the additional competition of the Fourth Form Tutor Challenge. For the tutor challenge we had a range of performances from a mini play with a murder mystery, a Christmas ‘Guess Who’ quiz, a musical number and even a conducting dinosaur! Congratulations to all pupils who took part and especially to the tutors for taking to the runway and to the performances with such enthusiasm. Congratulations to L42 who won this year’s jumper competition, following behind in 2 nd place was L43. For the tutor challenge we had L41 in 1 st place and L44 in 2 nd! We look forward to seeing what the pupils come up with next year….
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On Thursday 11 November the Lower School Chamber Choir sang at the Priscilla Bacon Hospice Charity Lights to Remember Service. This annual event is an opportunity for the people of Norfolk to remember and give thanks for the lives of those who have received hospice care, as well as acknowledge with gratitude the exceptional work of everyone involved with Priscilla Bacon Lodge – staff and volunteers from Norfolk Community Health and Care NHS Trust, and the staff, volunteers, donors, fundraisers and supporters of the Charity. Norwich Lower School Chamber Choir have been invited to sing at the event for a number of years, and this year was no exception. Led by Head of Lower School Music, Mr Vine, the choir dazzled with a beautiful performance of ‘Sweet Silent Night’ by Andy Beck. Hugo Stevenson, Head of Fundraising and Communications at the Priscilla Bacon Hospice Charity said: “It is always an absolute joy to welcome Norwich School Chamber Choir to this flagship event for the charity. Once again they delivered a wonderful performance and added something really special to the service. Our sincere thanks to Mr Vine, Mrs Barclay and the children.”
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Lower School pupils excitedly celebrated the last day of the Michaelmas term on Friday 12 December, enjoying their Christmas lunch in a fine array of festive knitwear! There was a party atmosphere in the Refectory with decorations, paper crowns and Christmas songs, all in view of the beautifully illuminated tree. Turkey, roast potatoes and cranberry sauce were all on the special menu, followed by yule log for pudding. Everyone at the Lower School would like to wish our whole community a restful and relaxing Christmas and we will see you all again in 2026!
By Eleanor Lewis December 12, 2025
In his End of the Michaelmas Term address, the Head focused on two key things – kindness and participation. Everyone in the Cathedral was moved as he brought to life random acts of kindness observed on the London Underground. Pupils and staff alike then had a super time putting into practice the participation element of his address, as the Red Gowns got the whole congregation enjoying an interactive version of the 12 Days of Christmas! “So, the tail end of term is finally upon us. Each term obviously has its own shape and this one is characterised by the darkening evenings, the overlap with Advent, and by its brute length. There is always something of the endurance race about this, our longest term, so well done to everyone on getting through it! And now attention can turn towards the upcoming Christmas holiday. As you get ready for it, I pick out two features: kindness and participation. The first, kindness. We associate such a quality with this time of year: “Oh come on, it’s Christmas!” Yet, just like any other time of year, kindness is to be measured in actions every bit as in attitude. It may be apocryphal, but I heard that London Underground’s policy for people stranded on the platform with a bag, pram or such like when the lifts are not working is to stand by the stairs and wait for someone to help. I really want this to be true and, after all, you do not see someone at the bottom of the stairs with a large bag for long; normally, someone will come past and offer to carry it upstairs. This got me investigating random acts of kindness on the Underground further. It turns out that the artist Michael Landy conducted a project celebrating such acts in 2011-12. The artist explained, ‘Sometimes we tend to assume that you have to be superhuman to be kind, rather than just an ordinary person.’ So, to unsettle that idea, Acts of Kindness catches those little exchanges that are almost too fleeting and mundane to be noticed or remembered. Landy is fascinated by the way we tend to disappear into our own bubble on the Tube, disconnected from the people around us. One day, he recalls, while sitting in a Tube train absorbed in his own world, he suddenly became aware of two strangers, one trying to help the other. For Landy it was a life-enhancing event. Landy defines kindness as going beyond yourself to acknowledge someone else’s needs and feelings. ‘It’s a gesture of trust between two people’, he said. ‘There’s a risk in that. It requires courage and acceptance on both sides. ‘That’s what “kindness” means – we’re kin, we’re of one kind.’ Here are four examples from Landy’s project: Running down the stairs to catch the train that had just pulled in, I hadn’t noticed my iPod falling out of my pocket until I was inside the carriage, watching a stranger pick it up off the wet platform floor. He looked up at me through the closing doors (while I had already assumed that I probably wouldn’t be seeing it again) and mouthed the words ‘I’ll wait here!’ through the glass. And he did. In December 1993 my 5 year old daughter rushed onto a Tube train ahead of me and before I could follow her with my other child the doors closed and the train pulled out of the station as I ran alongside, banging on the doors in a panic. I caught the next train and got off at the next stop to find my little girl being consoled by a group of young teenagers en-route to a concert who had got off the train to stay with her until I found her. They had to dash off to get to the show and I think I was crying too much to thank them properly, so I welcome this opportunity to say THANK YOU, THANK YOU! While on my second maternity leave, after 2 changes and 3 tubes I got to Finsbury Park only to find me, the toddler and the baby in the pram at the bottom of 3 flights of stairs. My heart sank. I wasn’t too happy to see 2 hooded young men loping down the stairs but as they got to bottom, they asked if they could help by taking the pram leaving me to carry the toddler. They carried it up the 3 flights safely and even missed their train to do so! I always think of them when people use the term ‘hoodie’ as a generic term for violent youth because their kindness made my day and challenged my lazy assumptions. I woke up to a phone call from my dad telling me my much-loved grandpa had died. On the Tube over to my parents I couldn’t stop crying. The woman sitting next to me asked if I was ok, and I told her my grandpa had died that morning. She took my hand and held it for the rest of the journey. I have never forgotten how comforted I felt by this small, intimate act. Such acts of generosity and kindness are certainly what I expect in our community while we are together: to go beyond the minimum in order to be helpful, thoughtful and sensitive to each other. I therefore encourage you to reflect on these stories and think about how you can be kind in your actions at Christmas and into 2026. The next three weeks are a great opportunity to practise this behaviour at home as there are always lots of chances to lean in and help. The second feature of Christmas I want to highlight is participation and joining in, perhaps with a little dose of silliness thrown in. It is an opportunity for friends and family to enjoy some harmless fun, spend time together and, hopefully, remind ourselves not always to take things seriously. I hope that got you into the Christmas spirit. Do have an excellent break and remember to practice your random, practical acts of kindness.”
By Eleanor Lewis December 12, 2025
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Our annual Languages Carol Contest this half-term has been another great success. Each Upper 4 class prepared and recorded a Christmas Carol in French, German, Spanish or Mandarin. The 4th form then watched the videos and voted on their favourite song, with voting criteria of pronunciation, entertainment value and "Christmassy-ness", with different groups clearly aiming at different criteria. We are pleased to announce that the winning song was the French version of "Last Christmas" performed by Ms Niesch’s U4 French class. We were all impressed by their beautiful clear singing and catchy dance routine . Well done to all of the U4 Language classes and we look forward to seeing what the L4 can do next year. 
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On Wednesday 10 and Thursday 11 December, a cast of Inters pupils put on a brilliant production of Piers Torday’s ‘The Box of Delights’. The pupils took to the stage with confidence and enthusiasm, encouraged with a message from Piers Torday himself - I’m so thrilled you have chosen to stage my adaptation of John Masefield’s wonderful Christmas story, and I hope you have all enjoyed getting it to the stage.” The Blake was set out differently in this instance, with the production employing traverse staging, which allowed for an immersive performance in which all cast members were always present. This worked wonderfully in addition to the stylised ensemble pieces and physical theatre throughout the piece, the cast became a company. This Christmas tale was brought to life with great skill, particularly through the characterisation and dynamic between protagonist and antagonist – Cole Hawkings and Abner Brown. Kay Harker, played by Rowan Kidd, compellingly led the story and engaged audiences throughout, supported brilliantly by Christina Sawh and Alejandro Olmo Ochoa who played Maria and Peter respectively. Of course, the performance’s success must be attributed to every cast member, all pupils performed with professionalism and finesse. Director, Eva Wright, commented; “I am immensely proud of the cast for their dedication and trust in the creative process. Their collaborative spirit was key to solving the challenges of bringing this play filled with magic, and the seemingly impossible, to life in the Blake Studio.”
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The Lower School Christmas Fair on Saturday was a wonderful event, full of festive fun and brilliant community spirit. The children did an amazing job running their stalls and favourites such as the bottle tombola and raffle proved as popular as ever. Thanks to the hard work and support of our pupils, parents and staff, £3,251 was raised for The Hamlet Centre in Norwich. A huge thank you to everyone involved - a fantastic amount and a fantastic morning!
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