LIFE, AMONG OTHER THINGS

September 27, 2023

Ahead of the release of his film, Life, Among Other Things, we caught up with writer and director, Chester Dimoglou, about the inspiration behind his ambitious project.

 

What inspired you to do the film? 

"I’ve always been passionate about acting, writing, and music; I feel that film is the culmination of all these facets in one body. I acted in film director, ON, and good friend, Jack Parfitt’s film The Scales, and was inspired by it all, and wanted to give it a go myself!" 


Where does the title come from? 

"I completed the script a few months before I decided on a name for the title – it’s really tricky to find one short sentence to sum up what you’re trying to say. The film represents and appreciates the small bursts of life and vividity we can find, even through our hardship. The ‘Life’ is supposed to represent and emphasise the persevering good in the world around us, and the ‘Other Things’ are the troubles and pain that makes life so valuable, and this is reflected in the film. Hence: Life, Among Other Things." 


How long did it take to shoot? 

"The process of wrapping the film took me a little less than a year. I started strong with a 4-day bunk at a friend’s house in December (thank you Mark and Riel for having me!) shooting all my internal scenes and all the dialogue. It then took a substantial amount of time to not only select external locations but to schedule days where my cast and crew could make it and then eventually to go off and shoot it all. I only had three external shoots, but the planning took a hell of a long time! But it couldn’t have turned out any better."


How long did it take to edit? 

"I’ve been editing it on the fly since I shot my first footage in December, so about 10 months of pretty relaxed editing. The editing process mainly consists of editing and structuring the videos and shots, colour grading and audio mixing. It’s gradually become more intense as time goes on; I’m still editing as we speak, and will be until the day of the premiere!" 


Which elements of the film making process did you most enjoy? 

"The main two interests this project has fostered are definitely screenwriting and photography. Screenwriting was a narrative form that I’d never really experimented with until this year, and it’s now pretty much all I do. I love the subtleties and nuance that embedding a narrative into the format of a screenplay can give – something sometimes lost in other forms such as a dramatic play. 


I showed up to my first shoot with absolutely no idea how to use the camera I was holding in my hand. I feel that now my knowledge can still be built on, but the personal experience of capturing an emotive image through a lens was liberating. I now know my way around a camera, and now having relinquished the camera I loaned from the marketing department, I feel like it’s time to get my own!" 


What did you find most challenging? 

"Editing without a doubt, specifically audio mixing. Many aspects of filmmaking need a clear mind and intention, of which audio mixing is definitely one. The process of finding each audio recording, syncing each clip with its respective audio, and then balancing out the volume and gain afterwards is an arduous process, and needs full focus, so it was pretty easy for me to just push it to the back of the to-do-list. But I discovered the small joys you can get from completing a small task, and this exponentially increased my productivity while also being fun."


Did you write the script? 

"I did indeed. The scriptwriting naturally comes first in almost every film production; I clearly remember being sat at a blank laptop trying to think of what to do for my independent project, and suddenly the idea came to me. It took me about a week to write the first script and poems, and I sent it around to teachers and colleagues for feedback, along with leaving it for a few days to reconsider with fresh eyes. I then adapted it and made my first wave of cuts, and after that it stayed the same until my final shoot in August. I started to get a nagging feeling that something might not be adding up, and completely tore out the ending and replaced it. Hopefully this was the right decision! I guess I’ll see on the 10th, but nonetheless screenwriting has been my biggest takeaway from this experience." 


Was it hard to cast your characters? 

"I had to cast two roles, and it was pretty tough. Jack gave me no problems with casting – he casted me in his film, and he was also perfect for the role and incredibly talented, so that role went to him without much thought at all. As for his co-star, I had no idea what I was looking for, so I put up an open audition at the start of last year, asking candidates to read a poem from the script aloud. The talent in the up-and-coming years truly daunted me! I deliberated for a few days, but the role fell quite neatly to now U5 student Darcy, who was very impressive and impressed yet again on camera. I couldn’t have asked for a better cast." 


What do you want audiences to take away when they come and see the film? 

"At the end of the day, I want people to enjoy it. It’s a story that certainly has a message behind it – it comments on the themes of life, struggle, writing and the strength of the human bond. While I want to leave the audience considering these themes and what it means to them, I ultimately want to make a film that people like. If people come out after watching it and tell me they liked it, that’s all I could ever want to hear. Hopefully I can inspire some people in the year below to continue the line! "



What has been the most important lesson you have learnt from your film making journey? 

"Improvise! Never stick to a single idea – you get one good one in every 10 bad ones. Don’t confine yourself to a cage or lock yourself in trying to produce exactly what you envisioned, because you won’t end up with what you were thinking – you might even end up with something better! I know I certainly did. The door is a cornerstone of my film, and I didn’t even intend for it to be there. We found it on the beach, covered in sand, and I decided to carry it along the beach and use it, and dragged my dad back out to drive back in his pickup truck and collect it a few days after the shoot so I could properly integrate it into the film. Ideas will throw themselves at you, be open to them!" 

By Eleanor Lewis December 12, 2025
The Lower School carol service at Norwich Cathedral was a truly magical occasion, set against a dusky backdrop that heightened the sense of joy and wonder. The cathedral’s soaring arches and glowing stained glass offered the perfect setting for a celebration filled with Christmas spirit and joy. The service opened with a solo of Once in Royal David’s City by U3 pupil Zoe Asamoah, whose clear and expressive voice resonated beautifully through the vast space, setting a moving tone for the afternoon. The Lower 2 tableau was equally enchanting, their poise and reverence bringing the Christmas story vividly to life.  What followed was a series of performances that were both heartfelt and uplifting. The Little Voices Choir, Infant Choir, Chamber Choir, and School Choir each sang with warmth and precision, contributing their own distinctive character to the service. A highlight for many was the whole school’s rendition of Away in a Manger, with singers positioned throughout the cathedral, even along the side aisles, the piece created a shimmering, almost ethereal atmosphere that seemed to wrap the entire congregation in peace. As the service came to a close, selected members of U3 performed a hauntingly beautiful version of The Candle Song. With the cathedral lights dimmed and a single candle glowing softly, their perfectly blended voices created a moment of profound stillness and reflection. The afternoon was a testament to the talent, dedication, and sincerity of everyone involved, leaving all who attended with a deep sense of joy and quiet contemplation.
By Eleanor Lewis December 12, 2025
The Lower 4 Christmas Jumper Competition is always an event of great anticipation, and this year was no exception. Adorned with baubles, tinsel and whatever else Fourth Form could find (including Mariah Carey), the tutors made their way to the Blake for a catwalk never to be forgotten. However, this year had a twist with the additional competition of the Fourth Form Tutor Challenge. For the tutor challenge we had a range of performances from a mini play with a murder mystery, a Christmas ‘Guess Who’ quiz, a musical number and even a conducting dinosaur! Congratulations to all pupils who took part and especially to the tutors for taking to the runway and to the performances with such enthusiasm. Congratulations to L42 who won this year’s jumper competition, following behind in 2 nd place was L43. For the tutor challenge we had L41 in 1 st place and L44 in 2 nd! We look forward to seeing what the pupils come up with next year….
December 12, 2025
On Thursday 11 November the Lower School Chamber Choir sang at the Priscilla Bacon Hospice Charity Lights to Remember Service. This annual event is an opportunity for the people of Norfolk to remember and give thanks for the lives of those who have received hospice care, as well as acknowledge with gratitude the exceptional work of everyone involved with Priscilla Bacon Lodge – staff and volunteers from Norfolk Community Health and Care NHS Trust, and the staff, volunteers, donors, fundraisers and supporters of the Charity. Norwich Lower School Chamber Choir have been invited to sing at the event for a number of years, and this year was no exception. Led by Head of Lower School Music, Mr Vine, the choir dazzled with a beautiful performance of ‘Sweet Silent Night’ by Andy Beck. Hugo Stevenson, Head of Fundraising and Communications at the Priscilla Bacon Hospice Charity said: “It is always an absolute joy to welcome Norwich School Chamber Choir to this flagship event for the charity. Once again they delivered a wonderful performance and added something really special to the service. Our sincere thanks to Mr Vine, Mrs Barclay and the children.”
December 12, 2025
Lower School pupils excitedly celebrated the last day of the Michaelmas term on Friday 12 December, enjoying their Christmas lunch in a fine array of festive knitwear! There was a party atmosphere in the Refectory with decorations, paper crowns and Christmas songs, all in view of the beautifully illuminated tree. Turkey, roast potatoes and cranberry sauce were all on the special menu, followed by yule log for pudding. Everyone at the Lower School would like to wish our whole community a restful and relaxing Christmas and we will see you all again in 2026!
By Eleanor Lewis December 12, 2025
In his End of the Michaelmas Term address, the Head focused on two key things – kindness and participation. Everyone in the Cathedral was moved as he brought to life random acts of kindness observed on the London Underground. Pupils and staff alike then had a super time putting into practice the participation element of his address, as the Red Gowns got the whole congregation enjoying an interactive version of the 12 Days of Christmas! “So, the tail end of term is finally upon us. Each term obviously has its own shape and this one is characterised by the darkening evenings, the overlap with Advent, and by its brute length. There is always something of the endurance race about this, our longest term, so well done to everyone on getting through it! And now attention can turn towards the upcoming Christmas holiday. As you get ready for it, I pick out two features: kindness and participation. The first, kindness. We associate such a quality with this time of year: “Oh come on, it’s Christmas!” Yet, just like any other time of year, kindness is to be measured in actions every bit as in attitude. It may be apocryphal, but I heard that London Underground’s policy for people stranded on the platform with a bag, pram or such like when the lifts are not working is to stand by the stairs and wait for someone to help. I really want this to be true and, after all, you do not see someone at the bottom of the stairs with a large bag for long; normally, someone will come past and offer to carry it upstairs. This got me investigating random acts of kindness on the Underground further. It turns out that the artist Michael Landy conducted a project celebrating such acts in 2011-12. The artist explained, ‘Sometimes we tend to assume that you have to be superhuman to be kind, rather than just an ordinary person.’ So, to unsettle that idea, Acts of Kindness catches those little exchanges that are almost too fleeting and mundane to be noticed or remembered. Landy is fascinated by the way we tend to disappear into our own bubble on the Tube, disconnected from the people around us. One day, he recalls, while sitting in a Tube train absorbed in his own world, he suddenly became aware of two strangers, one trying to help the other. For Landy it was a life-enhancing event. Landy defines kindness as going beyond yourself to acknowledge someone else’s needs and feelings. ‘It’s a gesture of trust between two people’, he said. ‘There’s a risk in that. It requires courage and acceptance on both sides. ‘That’s what “kindness” means – we’re kin, we’re of one kind.’ Here are four examples from Landy’s project: Running down the stairs to catch the train that had just pulled in, I hadn’t noticed my iPod falling out of my pocket until I was inside the carriage, watching a stranger pick it up off the wet platform floor. He looked up at me through the closing doors (while I had already assumed that I probably wouldn’t be seeing it again) and mouthed the words ‘I’ll wait here!’ through the glass. And he did. In December 1993 my 5 year old daughter rushed onto a Tube train ahead of me and before I could follow her with my other child the doors closed and the train pulled out of the station as I ran alongside, banging on the doors in a panic. I caught the next train and got off at the next stop to find my little girl being consoled by a group of young teenagers en-route to a concert who had got off the train to stay with her until I found her. They had to dash off to get to the show and I think I was crying too much to thank them properly, so I welcome this opportunity to say THANK YOU, THANK YOU! While on my second maternity leave, after 2 changes and 3 tubes I got to Finsbury Park only to find me, the toddler and the baby in the pram at the bottom of 3 flights of stairs. My heart sank. I wasn’t too happy to see 2 hooded young men loping down the stairs but as they got to bottom, they asked if they could help by taking the pram leaving me to carry the toddler. They carried it up the 3 flights safely and even missed their train to do so! I always think of them when people use the term ‘hoodie’ as a generic term for violent youth because their kindness made my day and challenged my lazy assumptions. I woke up to a phone call from my dad telling me my much-loved grandpa had died. On the Tube over to my parents I couldn’t stop crying. The woman sitting next to me asked if I was ok, and I told her my grandpa had died that morning. She took my hand and held it for the rest of the journey. I have never forgotten how comforted I felt by this small, intimate act. Such acts of generosity and kindness are certainly what I expect in our community while we are together: to go beyond the minimum in order to be helpful, thoughtful and sensitive to each other. I therefore encourage you to reflect on these stories and think about how you can be kind in your actions at Christmas and into 2026. The next three weeks are a great opportunity to practise this behaviour at home as there are always lots of chances to lean in and help. The second feature of Christmas I want to highlight is participation and joining in, perhaps with a little dose of silliness thrown in. It is an opportunity for friends and family to enjoy some harmless fun, spend time together and, hopefully, remind ourselves not always to take things seriously. I hope that got you into the Christmas spirit. Do have an excellent break and remember to practice your random, practical acts of kindness.”
By Eleanor Lewis December 12, 2025
It has been an excellent term for Norwich School rugby, with all squads showing clear development, strong teamwork, and impressive determination. The junior teams enjoyed a highly successful season, including standout wins and an unbeaten U13A campaign. Across both age groups, players demonstrated growing confidence, cohesion, and attacking flair. Our inter squads showed real character, with the U14s and U15s producing notable victories and displaying resilience throughout a challenging fixture list. The U15A County Cup triumph was a particular highlight. Among the seniors, both the 1st and 2nd XV worked tirelessly despite disruptions. The 1st XV delivered several outstanding performances, including a memorable last-minute victory over Gresham's. We also thank our departing Upper Sixth players for their leadership and commitment. Overall, it has been a term marked by progress, pride, and exceptional team spirit across the whole rugby programme.
By Ben Stokes December 12, 2025
The Boat Club started the half term with the Seniors racing at the GB U19 Benchmark Head Race. With the rowers who had achieved the 2k ergo cut off, this was the first opportunity to show boat moving capabilities. Ellie Thwaites and James Howard pleaced 4th in their respective J17 Trialist category and Nicholas Conway won the J18 and overall event. For those not trialling, racing at a GB event gave them valuable experience. The Seniors then raced the inaugral Junior Fours Head of the River on the Tideway. With 2 boys crews and 2 girls crews facing some rather wet conditions, the Girls Coxed Four placed an excellent 6th place in J18 and the Boys Coxless Quad won the J18 event. The J15s and Seniors raced at Hampton Head (another damp day!) with the J15s placing well in their categories with other 40 crews in some events. Singles, Doubles and Quads were raced. The Seniors also raced a range of events, with a number of 2nd, 3rd and 4th places. There were wins for James and Nick in the Coxless Pair and for Ellie, Charlotte, Amelie, Jess and Darcy in the Coxed Four. The Boys and Girls 1st VIII s then raced at Wallingford Head, the first VIIIs race of the year- well done to all for a busy but successfull weekend of racing. Last weekend saw all the Boat Club race at our Invitational Yare Eights Head of the River. The J14s in an Octo and Quad demonstrated the great progress they have made since taking up the sport at the start of term. The 1st VIIIs (Boys and Girls) beat their respective UEA Eights. Ellie Thwaites, Nicholas Conway and James Howard have all acheived the 5k Ergo Score to progress through to the February GB U19 Trials.
By Eleanor Lewis December 11, 2025
Our annual Languages Carol Contest this half-term has been another great success. Each Upper 4 class prepared and recorded a Christmas Carol in French, German, Spanish or Mandarin. The 4th form then watched the videos and voted on their favourite song, with voting criteria of pronunciation, entertainment value and "Christmassy-ness", with different groups clearly aiming at different criteria. We are pleased to announce that the winning song was the French version of "Last Christmas" performed by Ms Niesch’s U4 French class. We were all impressed by their beautiful clear singing and catchy dance routine . Well done to all of the U4 Language classes and we look forward to seeing what the L4 can do next year. 
By Eleanor Lewis December 11, 2025
On Wednesday 10 and Thursday 11 December, a cast of Inters pupils put on a brilliant production of Piers Torday’s ‘The Box of Delights’. The pupils took to the stage with confidence and enthusiasm, encouraged with a message from Piers Torday himself - I’m so thrilled you have chosen to stage my adaptation of John Masefield’s wonderful Christmas story, and I hope you have all enjoyed getting it to the stage.” The Blake was set out differently in this instance, with the production employing traverse staging, which allowed for an immersive performance in which all cast members were always present. This worked wonderfully in addition to the stylised ensemble pieces and physical theatre throughout the piece, the cast became a company. This Christmas tale was brought to life with great skill, particularly through the characterisation and dynamic between protagonist and antagonist – Cole Hawkings and Abner Brown. Kay Harker, played by Rowan Kidd, compellingly led the story and engaged audiences throughout, supported brilliantly by Christina Sawh and Alejandro Olmo Ochoa who played Maria and Peter respectively. Of course, the performance’s success must be attributed to every cast member, all pupils performed with professionalism and finesse. Director, Eva Wright, commented; “I am immensely proud of the cast for their dedication and trust in the creative process. Their collaborative spirit was key to solving the challenges of bringing this play filled with magic, and the seemingly impossible, to life in the Blake Studio.”
By Eleanor Lewis December 11, 2025
The Lower School Christmas Fair on Saturday was a wonderful event, full of festive fun and brilliant community spirit. The children did an amazing job running their stalls and favourites such as the bottle tombola and raffle proved as popular as ever. Thanks to the hard work and support of our pupils, parents and staff, £3,251 was raised for The Hamlet Centre in Norwich. A huge thank you to everyone involved - a fantastic amount and a fantastic morning!
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