Under the theme of ‘People, Planet, Partnerships’, we were delighted to welcome back on site on 18 November 2025 the fourth Youth Micro-Lectures event. This prestigious annual event is hosted and organised by Norwich School and put on in the Blake Studio in conjunction with the East of England branch of the Royal Geographical Society (RGS). Pupils in Years 10-13 studying geography from around the country were invited to propose topics for short lectures, and the winning five entries were chosen to present in person on the night. Six pupils – Keegan Ansley-Daniels, Bethany Dampier, Gabie Dementjeva and Farah Alwi from Notre Dame High School, Manhaa Islam from Framlingham Earl High School and Lea Zegan (L6R) from Norwich School gave talks on topics they felt passionately about. In ten-minute lectures followed by five minutes of Q&A, we heard about topics as varied as extremes of European weather, the monarch butterfly migration, thoughts on an Antarctic economy, stories behind the Gaza headlines and the human price of clothes. An audience of their peers, Fellows of the Royal Geographical Society, Old Norvicensians, teachers, parents and friends of Norwich School heard talks of great insight, commitment and hope, and our presenters fielded all questions fired at them with maturity and aplomb. The evening was hosted with characteristic panache by our very own Dr Anthony Speca, himself a Fellow of the RGS. The event’s honorary Chair, back for his fourth successive year, was Professor Tim O’Riordan OBE DL FBA, Emeritus Professor of Environmental Sciences at the UEA. He pulled together all the varied strands with perceptive and generous reflections addressed to our speakers in his closing remarks. Huge thanks to our six intrepid presenters for giving us such a fascinating and enjoyable evening. They can be very proud of their performances on the night, inspiring us all that the planet will be in good hands when this generation becomes environmental leaders. Our next RGS talk on site is taking place on Wednesday 10 December 2025 and comprises a public lecture and social event. The talk is entitled: On thin ice: a life in the Antarctic to be given by Professor Dame Jane Francis. We are indeed fortunate to have a speaker of the highest calibre on site for this talk: Professor Dame Jane Francis, Director of British Antarctic Survey. In 2017 Prof Francis was appointed a Dame in recognition of services to UK polar science and diplomacy. She became Chancellor of the University of Leeds in 2018, and was elected national President of the Royal Geographical Society in 2024. This event will comprise the talk itself from Jane Francis who will reflect on about her own life in polar research and provide valuable insights into cutting edge research underway in the Antarctic, as well as discussing the region’s many and varied threats. After Q&A, the event becomes more social, with festive with drinks and canapés, offering the chance to meet our speaker and audience members with a shared interest in our planet and its peoples. Doors open 7pm and the lecture will start at 7.30pm and is held in the school refectory at Norwich School. Booking link: On thin ice: a life in the Antarctic . This will be a popular event, so please book ahead. All are welcome.

To celebrate Oscar Lawrence (M5) journey in wildlife journalism and photography, especially with the news of his own column in Norfolk Magazine in 2026, we asked him some questions. What is the best part about writing for Norfolk Wildlife Trust? Tricky - there's so much to love about it. When I write my introductions, I use a couple of purely descriptive paragraphs designed to whisk the reader away into the midst of nature. When I proofread them, the experiences I've had with that species or place come flooding back, and I can remember every last detail of an encounter. And that's a great feeling. Which is your favourite piece? Why? My first ever commission from the Norfolk Wildlife Trust was fantastic. I was challenged with writing about a visit to Hickling Broad on World Swallowtail Day, and when I arrived I was so worried that I would get good photos, or my writing wouldn't be good enough. And by the end of that 3-hour walk, I felt so many thoughts buzzing round my head from the day that I couldn't wait to note down. I was already gripped, and it proved to me that journalism could be an incredibly rewarding passion as well as work. How do you explore your passions for wildlife photography and journalism at Norwich School? Writers' Bloc! Both a fantastic club and a fantastic play on words, I get the majority of my articles done in this relaxed, go-with-the-flow type space. I feel that in this environment I can switch off from everything else that's going on and invest wholly in my writing. How has Norwich School helped you/Supported you on your journey? I've told a good few teachers about my work as a writer, and their motivational and complimentary feedback has driven me to keep going. It has made me feel like what I'm doing can change people's attitudes, and help them see nature in a new and beautiful light. How has your journalism and photography progressed over the years? My writing has changed a whole lot! When I started this as a columnist, I felt I could just go with the flow and however much waffle is left in, it doesn't really matter as people will just skim through it. These days, I try to make every sentence, indeed every word, an immersive experience for my audience to keep them hooked the whole way through. When you write for more prominent news outlets, there's far more to consider about how you pitch your writing: do you go analytical and scientific, or creative and awe-inspiring? It's a difficult balance to strike. There is only so much you can read up about photography. My philosophy with that art has always been "learn by doing", and it seems to have worked alright so far. It was a big leap to switch from Automatic to Manual mode, but I've learnt so much by making the change. From a general skill-building perspective, my reflexes have certainly improved, as I leap for the shutter when a rare bird shoots past. What would you say to any budding journalists? Any tips? There's a lot to be said about this, and everyone will have different views on what the best policy is. But I don't have a set structure and I don't feel the need to bolster every sentence with rhetorical devices. The bottom line is, if you can read a line back to yourself and feel wonder, then it's a line well written. With creative pieces, your prose should motivate an emotive response throughout, leaving the reader flushed with excitement, sympathy and everything in between. You won't get to the level you want to be at without reading the experts' material. If you're lost, just skimming an RSPB article can give you tons of new ideas and vocabulary, even if it isn't about whatever topic you are covering. Finally, be self-conscious. As I write this, I am worried that I'm using "I'm" and "you're" far too many times, and that my answers aren't set out in an engaging way. As you write more and more, you will teach yourself to overanalyse what is on the page, which whilst mentally exhausting at times, means you can self-check without any bias. Essentially, if a sentence gives you (and I hate this phrase) the "ick" even slightly, then don't use it. Because the audience will feel that way too. Tell us about your column in Norfolk Magazine? (Which begins in January 2026) An amazing opportunity to say the least. I honestly couldn't believe I'd been accepted to write for the mag, and I was even more pleased to see the gusto with which they did accept me. I will have a column writing about the best Norfolk days out in nature for the first 6 months of 2026, after which point I will probably still drop in the occasional article. Currently, I have sent off my first article about the stunning Burnham Overy Dunes, and am working on another for the February edition. What's next for you? It would be awesome to lead some more tours, which I will do at Cley Marshes for Norfolk Wildlife Trust. After a successful walk this summer featuring such avian delights as green sandpipers, spoonbills and snipe, I am reassured that any other tours will be just as jam-packed with wildlife. My next will be in February, when I shall probably lead a trek down Cley Bank in search of snow buntings and velvet scoters. In terms of writing, I aspire to work-experience with some of the "big league" newspapers in London, and hopefully work shadowing some tours by e.g. Naturetrek or Oriole Birding to start with. What's the dream? With all these new technologies, surveillance and whatever unemployment problems AI will cause, the future is as worrying a prospect for me as it is for many others. AI can do so much in the way of data organisation, so I sorely hope that 20 years from now, readers will still value the investment and human experiences I convey in my writing. I want to spend as much time in nature as I possibly can throughout my life, and if I can make wildlife into part of my job, my dreams will truly be fulfilled. Let us hope that my heartfelt and awe-inspired stories will still interest the audience of the future.

Norwich Cathedral Choir has released a brand-new album showcasing a selection of carols that has been recorded to celebrate the festive season - Lord of the Dance: Christmas Carols from Norwich Cathedral. The album was released on Friday 7 November on all major streaming platforms and features the choir singing 20 carols ranging from Away in a Manger to The First Nowell and Sussex Carol. In addition, the album is available in CD format from Norwich Cathedral’s gift shop for an introductory price of £10. This was recorded in Norwich Cathedral’s Nave in June this year, with the choir joined by music ensemble Onyx Brass and David Dunnett who retired as the Cathedral organist this summer after an incredible musical tenure of 29 years. Norwich Cathedral’s Master of Music Ashley Grote, who conducted the choir during the recording, said: “I'm really thrilled with our new Christmas album, Lord of the Dance, which is a collection of some of the best-loved carols, some in new arrangements. The combination of the Cathedral Choir, the newly rebuilt organ, along with award-winning ensemble Onyx Brass is a very special sound. It was wonderful to work on this project with Norwich-based independent record label Deux-Elles Classical Recordings; they have managed to capture a sense of what it is like to be in Norwich Cathedral at Christmas time. I hope that the album will bring a lot of joy to people this Christmas!”