On 18 January, the 32nd Norfolk Young Musician Competition took place showcasing an array of young talent across a variety of musical disciplines. Founded in 1993 by Music at St George’s (later the Norfolk Youth Music Trust), the competition offers a variety of prestigious prizes, including the Michael Badminton String Prize, Mrs E. Sturgeon Piano Prize and Jane Roberson Prize. Promoted by the Michael Badminton Young Musicians Trust, this year’s adjudicator was Martin Outram, Lionel Tertis Professor of Viola at the Royal Academy of Music, who was supported by Jonathan Wortley, Chairman of the Michael Badminton Young Musicians Trust. This year, of the 18 competitors, ten were current or former pupils of Norwich, with another participant who will be joining the Sixth Form as a Music Scholar in September 2026 - something we are immensely proud of. Each competitor, who is required to have gained Grade 8 with Merit (or higher), is invited to play a 15-minute programme in front of an audience. Of the 18 competitors this year, 3 of our performers received honourable awards for their performances. Min Ying Deng (M5) was awarded 2nd overall prize for her renditions of Prelude in C# minor Op.3 No. 2, Trois Etudes de Concert ‘Un Sospiro’ in Db major and Fantasie-Impromptu in C# minor. Isaac Schaad (M5) received the Michael Badminton String Prize for Most Promising Young String Player for the third consecutive year, for his performances of Adagio in E major KV 261 and Zigeunerweisen by Sarasate and Ben Griffiths (U6) was awarded the Jane Roberson Prize for voice, performing Aufenhalt by Schubert, Caro mio ben by Giordani, Clair de Lune by Faure, Silent Noon by Vaughan Williams and Oliver Cromwell by Britten. Other notable performances came from pupils as young as Jessic Li on the piano and Jacey Ng on the euphonium, who are both in Middle 5; Upper 6 pupil Caio Boyero on the cello; and ONs Finnian Smith on the French horn and Colette Maxwell-Preston on the cello. Congratulations to all that participated! The competition proved to be a memorable celebration of commitment, musicianship and talent, and the high standard of performances across all disciplines reflected the centre of excellence that is the Norwich School Music Department.

Lower Two had a fantastic Egyptian Day on Monday 19th January. The children learned about the importance of black kohl eye make-up in ancient Egypt, explored why mummification was so significant, and discovered how hieroglyphs were used to communicate stories and messages. One of the highlights of the day was reenacting an Egyptian burial, which really brought their learning to life. Everyone looked amazing in their Egyptian costumes, and the children had the best day immersing themselves in ancient Egyptian history.

Lent Term Informal concerts kicked off in style showcasing talent with a wide mix of instruments, styles, and moods that kept the audience engaged from start to finish. Each performer brought something different to the programme, making the afternoon feel varied, exciting, and full of personality. Music included Cinarosa's Sonata in G for Piano, Gossec's fun Gavotte on the Cello and a hoe down on the Violin followed by a beautiful rendition of The Skye Boat song on the Harp. A touch of Rock n Roll on the electric guitar with Been There by A Lambert and rounded off with a gentle interpretation of Chopin's Waltz in A Minor .  Overall, the concert was a great success and highlighted the hard work and musical ability of all the performers. It was an enjoyable and memorable event that showed the impressive range of talent within the school.

Selected for Penguin's Random House programme for emerging talent, 'Blank Canvas' is already out in book shops.

An upgrade to sound quality is music to our ears!

Good morning everyone. Last year my Dad turned 80. When we asked him if there was anything he’d like to do to celebrate, he said he wanted to tour the WW1 battlefields in France and Belgium. So during the May half-term I went over there with my brother and our parents and we spent a week exploring Flanders and the Somme region, as I know many of you have done on school trips. At the end of the week I dropped the others at Charles de Gaulle airport for their early morning flight home, and treated myself to a day of birdwatching near Calais before catching the ferry to Dover. I spent a delightful day at the coast, enjoying turtle doves and nightingales and my first ever Marsh Warbler, which I was very excited about. Species number 626 on my life list, in case you are wondering. I also stumbled across an information board that caught my eye. It was in French so I couldn’t entirely understand it, but it had pictures, and seemed to be about a pilot from the WW1 era. What caught my eye was the fact that the pilot appeared to be black and female. A week of touring the battlefields and learning about the war had taught me that all pilots in those very early days of flight were white and male. I jotted down the name Bessie Colman in my notebook, and told myself that I would do some research when I got home. And I’m glad I did. Bessie Colman’s story is quite remarkable, and I’m grateful to Rev Child for the chance to share it with you now. Her story is one of achieving a dream in the face of racist and sexist discrimination. I hope that in our more enlightened times none of you will suffer similar discrimination, but there will almost certainly be situations where you are denied the chance to do what you want, possibly just because someone else gets chosen ahead of you. You might not have got picked for the A team for tomorrow’s match, or get the role you want in the musical, or be selected to be a prefect, or get into the university of your choice. If that does happen to you, hopefully this story will encourage you not to give up. To set the scene, the Wright brothers flew their famous first flight in the year 1903. Young Bessie Colman was 11 years old at that time, growing up in Texas, and like many young people of the day, she was captivated by the idea of flight, and dreamt of getting the chance to fly herself. One of her brothers served with the army in WW1 and got to witness some of the first ever aerial combat action, taking place over his head as he dug and repaired trenches. When he returned home, he told his sister about these airborne daredevils, and she decided that was definitely what she wanted to do. The trouble was that Colman was not only female and black, she was also of native American descent. In those days, any one of these things made it impossible to get a pilot’s licence in America. She was also poor, which was another significant barrier. Colman was determined to fly planes, and while her race and gender made this impossible in America, she knew from what her brother told her that things were different in France. However, getting the money to travel across the Atlantic, and pay for flying lessons when she got there, proved an almost insurmountable hurdle. Education and employment opportunities for black women were limited in those days. Colman left her home in Texas and joined her brother in Chicago, got qualified as a beautician and started to earn money as a manicurist. She also knew there would be a language barrier in France. Unlike these days, she couldn’t rely on everyone speaking English, so she took French lessons in the evenings. After 2 years, she had earned enough money, and learned enough French, to start her adventure. She sailed for France on 20th November 1920 and enrolled at a flight school near Calais. During her 10 months of training, she learnt the basics, and soon moved on to advanced aerobatics. This was still in the early days of flight, when mechanical failure and crashes were all too common. One of Colman’s fellow students was killed before the completing the course, but Colman was undeterred and passed with flying colours. When she got her licence from the Federation Aeronautique Internationale, she became the first American of any race or gender to be awarded these credentials. Once qualified, she embarked on a career as a stunt pilot, performing barrel rolls and loop the loops at airshows across Europe and America. She became something of a celebrity, flying under the name “Queen Bess, Daredevil Aviatrix”. She survived a crash in which she sustained a broken leg and ribs, but bounced back, and added parachute jumps to her shows, walking along the wing of a plane at 3000 feet before jumping off and landing safely in the arena. While all her dreams were coming true, Colman was aware that she was something of a trailblazer for black women, and was determined not to forget her roots, or be taken advantage of. In 1922 she signed a contract to be the star of a Hollywood movie, but shortly after filming started, she walked off the set, as her role reinforced all the negative stereotypes of black people at the time. Colman also took a stand against various forms of racial discrimination. At many of the airshows she performed at, there had been separate entrances for black and white people, and in some cases black people were not permitted to attend at all. Colman refused to perform at any such venue, and forced organisers to change their policies. One of her ambitions was to open a flight school specifically for African Americans, but sadly she didn’t live to see this happen as she died in a crash in 1926, while practising for an airshow in Florida. She died young, aged 34, but she died doing what she loved. And while she may not have opened her flight school during her lifetime, she had succeeded in breaking barriers and inspired other women and black americans to follow in her footsteps. When in 1992, Mae Jamieson became the first African American women in space, she took with her a photo of Bessie Colman. If Bessie Colman told her friends in Texas that she wanted to be a pilot, they would probably have laughed at her. That simply isn’t possible, they would have said. Don’t waste your time. You are a woman. You are black. You are poor. The chances of you getting to be a pilot are 1000000 to 1. This morning’s reading is a Psalm written by King David when it seemed that the whole world was against him. His own son was trying to depose him and he called out to God for help. “You Lord are a shield around me, and the one who lifts my head high…I will not fear though tens of thousands assail me on every side”. It is words like these that give me strength when things aren’t going well and I feel like the world is against me. I don’t just imagine that I can just sit on my backside and wait for God sort everything out for me. But it gives me hope that if we can follow the example of someone like Bessie Colman, explore every possible avenue, work hard and never give up, there is no reason why we can’t achieve our dreams.

You are invited to attend Barney’s unique talk exploring the captivating world of film

The long-term future of the sensitive and much-loved Norfolk Broads was the issue under discussion in the latest Blake Studio lecture at Norwich School on 15 January 2026. The school was hosting the illustrious Royal Geographical Society for a public talk entitled: Tides of Tomorrow: the future of the Norfolk and Suffolk Broads, confronting flood risk and climate change, given by Peter Doktor, from the Environment Agency. Peter is a Senior Project Manager overseeing the technical work of the Broadland Futures Initiative. He has been with the Environment Agency for 25 years and, before that, he with the Norfolk Wildlife Trust. His informative talk considered the worrisome potential for far-reaching impacts to the fragile Broads ecosystem induced by climate change. It also offered reflections on the policies and initiatives (both in place and under review) to manage it. A huge audience of RGS and Broads Society members, school staff, pupils, parents, and alumni, plus friends of the school, all enjoyed a lively Q&A after the talk, focusing on the urgency of the issues, the bewildering size of the challenge and the scale of the potential impacts. It is clear there are no easy solutions, but maintaining the status quo will simply not be enough to safeguard its precious ecology if climate change impacts continue to intensify. Our thanks go to the RGS for organising such a thought-provoking evening. We look forward to welcoming them back on site on Monday 16 March 2026 for a talk entitled: Rethinking the Future of our Seas given by Stephen Akester, Global Fisheries Specialist and Fisheries Adviser to the World Bank. Stephen will describe the state of the world’s fisheries, illustrating a highly varied picture, highlighting success stories and areas of most concern. Booking link: Rethinking the future of our seas and what you can do to help Finally, we have recently launched our full programme of exciting and cultural events organised by Norwich School taking place in and around Cathedral Close this term. There really is something for everyone to brighten up these dark winter months. Do have a flick through At Close Quarters Lent Term 2026 . Booking for many of the school events can be found on our homepage under “Upcoming Events”: www.norwich-school.org.uk

Lower 6 Art and Design pupils enjoyed a trip to London this week. We hear from Elise Foong, pupil and member of the Close Creatives Collective about the trip. "On Tuesday 13 January, a group of L6 2D students, and a few fine art pupils, including myself, went on a trip to London to visit some galleries. Our day consisted of spectacular gallery showings, many underground rides, bustling streets and unfortunately a continuous amount of rain. The first gallery we visited was the Design Museum, ‘Blitz: the club that shaped the 80s’, was one of the exhibitions we looked at, it was on how the Blitz nightclub completely transformed and reshaped many art and creative forms physically and socially, as well as also creating a post-war welfare state. Another exhibition, or I should say an archive, we saw at the Design Museum was ‘Wes Anderson: The Archives’, this was most definitely the highlight of my trip as I would consider myself quite the fan, it felt so surreal seeing all the real props, figures, and outfits from the films themselves! I found it quite awesome how, Wes Anderson having a highly distinctive and meticulously crafted cinematic style also shines through in how he began collecting and archiving props and costumes from all his films after Bottle Rocket 1996. After all the standing and walking we did, we took the underground to Borough Market and had lunch. There were many unique food stalls that sold many things like fresh produce, cheese, pastries including cannolis, international street foods like paella, curries and burgers. After lunch we then walked around and over the Millennium bridge, where I learnt of the hundreds of tiny and vibrant artworks on discarded chewing gum, and took the underground from St Paul’s to the Photographers’ Gallery where we saw Boris Mikhailov’s ‘Ukrainian Diary’. Which presented 50 years of his work that showed a unique visual history through experimentally and emotionally charged photography, the poignant, difficult images of Ukrainian life falls deeply relevant and powerful against the backdrop of the ongoing war which I found very raw and confrontational. After everyone had finally regrouped we headed to take the central line once again back to the train station to conclude our trip. Big thanks to Mr Passam, Mr Seaman, and Miss Goian who made this trip possible!" Photography - Elise Foong